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2000
Harmonica Masterclass Workshop
Article by Participant Michael Handler
Photos by Mark Fenichel
| Once again, the three-day workshop and harmonica expo known as the Harmonica Masterclass Workshop showcased some of most talented harp players from around the world. Both the instructors and participants came from as far away as New Zealand, Europe, the UK and South America to listen to and study with acknowledged masters of the craft. This year there seemed to be a great amount of variety in the styles presented, with a firm nod in the direction of acoustic music. This included country-blues, Chicago Style blues, jug-band/ragtime, and even Irish-oriented reels and aires. |
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Produced in San Jose by long-time
music teacher David Barrett, this sixth year marks the last time he plans to
offer the weekend workshop format in Northern California, at least for a couple
of years. [The large artist
seminars will be replaced by smaller school-like classes.]
The focus will remain on education, but the Masterclass itself will
travel to various cities such as Austin, Texas.
Another
outgrowth of these workshops has been the smaller Teacher Accreditation Program and
school, where twenty-one students spend an
entire week in an extended course on music/harmonica theory, training and
education. This offers students a more advanced degree of training
than the weekend itself could provide. These sessions were sold out for the
duration of the week.
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a high point of the weekend, Saturday nights “Legends of the Blues
Harmonica” concert was a real eye opener in terms of hearing so many
different styles and techniques. From
New Zealand’s Brendan Power’s Irish chromatic wonders to Tom Ball and
Kenny Sultan’s ragtime funhouse, San Jose’s Montgomery Theatre was the
hot spot in town June 10th. A highlight of the weekend was the workshop led by one of the rare professional women harp players, Annie Raines from Boston. With her great command of tone and wonderful |
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| phrasing,
she was a nice addition to this year’s lineup. But the most unusual and
interesting classes featured Paul Oscher, a man who has definitely
“lived the life”. From a very bluesy melodica solo to a performance of a huge
bass harmonica, Paul held court as a living link to the great Muddy Waters
Band and beyond. Returning as he has every year, Lee Oskar got deeper into some War stories and also headed a very interesting panel about the music business. After all, some of the participants are professionals, and these insider tips can prove to be invaluable. Lee’s playing on stage with Sonny Jr. were some of the strongest musical moments of the entire weekend. |
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Another
acoustic player, Phil Wiggins, traveled from his home of Washington, D.C., to
share his techniques and insights into playing in primarily a folk-blues duo
setting. His fast playing and clear note articulation opened a few eyes and a
few more ears.
More locally based Mark Hummel, R.J. Mischo, and workshop surprise hit Sonny Jr.
[from Connecticut] all provided the classes with wonderful wit and tips, as well
as great playing with guitar accompanist John Garcia. These folks are all
wonderful Bay Area resources that director Barrett taps to share their
collective knowledge and experience.
Wherever the Harmonica Masterclass Workshop finds itself in years to come, it
will have a home in the San Jose area. With growth comes change, and while the
classes might hit the road in search of new students and audiences, the focus
with remain firmly fixed to education as long as David Barrett continues to
guide the organization.
Article by Participant Michael Handler -
Thanks Mark!
Testimonials from the 6/2000
Harmonica Masterclass Workshop
"I just got back from Dave Barrett's Masterclass in San Jose and want to give
you the highlights (many) for me. First, Dave is a truly nice guy and does a fantastic job organizing this event. The entire weekend ran smooth as Teflon. At least from the participants side. I'm sure Dave and the staff had their hands full. Dave is an excellent teacher. His method is straight forward and very easy to understand. Plus it was fun. At one point there were 125 harmonica players playing the blues together under Dave's direction. Pretty groovy.I took Mark Hummel's Chromatic seminar and not only learned a lot but, had
a ball doing it. I envy you guys in the Bay area being able to get one on ones with Mark, Dave, R.J. and the like.The concert on Saturday was absolutely jaw dropping. Lee Oskar somehow
managed to get a pipe organ in a ten holer. It was so low, the reeds had to be sticking out the back. Sonny Jr. and his young protégé blew the house away. Sonny is one of the strongest players I've ever heard. Tom Ball and Kenny Sultan gave a great performance ending with "Chicken ala Blues" off of "Too Much Fun". These guys have an overdose of happy karma. Their personalities are just like their music. Kenny smiles the entire time he's playing those incredible guitar licks. You can't help but feel good around those two.Paul Oscher played guitar and harp in a rack. He also played the melodica.
Listening to him is intense. I'm his seminar on Sunday, he told a great story about rehearsing in Muddy Waters' basement. Also he kicked butt on a bass harp, bends and all. Marc Hummel always gives a great show and his set was squarely in the groove and swingin'. R.J. Mischo came on with only a bass player and burned the place down. The whole set had this "beatnicky" feel to it. It was a masterstroke of showmanship. Other sets by Phil Wiggins, Brendan Power, Annie Raines, and Dave Barrett all had their moments too. I'm not tryin' to slight any of them but I'm running out of superlatives.All in all, this was a fantastic weekend. Everyone was friendly and helpful.
Especially the guest artists. Without having them over for dinner, it was as good as it gets as a way to talk and learn from them.Thanks Dave for a great job. I can't wait for the next one."
Tim Northcutt - Reposted by permission
from the Harp-L newsgroup
Texas